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|a By the end of the decade, drawing rooms throughout the states exhibited chairs in the new style.10 Whether imported from London and Paris, or made in Salem, New York, Philadelphia, or Charleston, such chairs were cosmopolitan in nature, a melange of British and French style.\n Moreover, when viewed hand-in-hand with the writings of Griswold, Eilet, and Wharton-the authors who provide the essential narrative of nostalgia for the republican court-the chair-assouvenir encapsulates the belief that a cosmopolitan, heterosocial salon culture built on the principles of polite conversation could counteract the ideological divisions in the public sphere. [...]elite families of eveiy political perspective purchased similar furnishings during the early republic.
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|t Journal of the early republic
|d Indianapolis, Ind. : Society for Historians of the Early American Republic, 1981
|g 35(2015), 2, Seite 287
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